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Thirteen-year-old Sam Cleary (Javon “Wanna” Walton) suspects that his mysterious and reclusive neighbor Mr. Smith (Sylvester Stallone) is actually a legend hiding in plain sight. Twenty years ago, Granite City’s super-powered vigilante, Samaritan, was reported dead after a fiery warehouse battle with his rival, Nemesis. Most believe Samaritan perished in the fire, but some in the city, like Sam, have hope that he is still alive. With crime on the rise and the city on the brink of chaos, Sam makes it his mission to coax his neighbor out of hiding to save the city from ruin.
While the action scenes are serviceable, it takes about 45 minutes to get to them. It spends most of the runtime with Joe and Sam walking around Granite City spouting exposition that doesn’t teach the audience anything new. The costumes and character personalities are plucked from pop culture. For example, Reza (Moises Arias), one of Cyrus’ henchmen, is an unmistakable Takeshi 69 (yes, the rapper) ripoff. At the same time, Cyrus is a Bane copycat and gives a Bane-like speech to the people of Granite City in the same type of shearling coat Tom Hardy wore in The Dark Knight Rises. Lastly, Nemesis’ and Samaritan’s costumes are a clear callback to Captain America villain Crossbones.
Of course, inspiration must come from somewhere, but there are so many references to other things Samaritan never stands on its own. Although, I will say the opening scene stands out amongst the entire film as it unravels like a live comic book with great editing and graphics. It’s the best part of the movie.
For all of its bleakness and themes of redemption and heroism, Samaritan lacks the depth to explore these concepts. There is a better film inside Schut’s script, but it needed a few more passes before heading to production. Avery deserves applause for giving Stallone a different avenue to explore, but I wish it would have pushed him beyond his cinematic comfort zone.