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Based on a true story told in a popular twitter thread containing 148 tweets written by Detroit waitress A’Ziah “Zola” King in October 2015. The story quickly went viral, garnering the recognition of people such as Missy Elliott, Solange and Ava DuVernay. About a month later, Rolling Stone magazine published an article interviewing people involved in the story.
A stripper named Zola embarks on a wild road trip to Florida.
Zola is a comedy/drama based on an infamous Twitter thread. Zola works as a waitress and has an encounter with a sex worker named Stefani. The two of them share an interest in pole dancing and exchange numbers as a result. Out of the blue, Stefani propositions Zola with a cross-country weekend, hitting the Florida strip club scene in order to make cash. She takes Stefani up on the offer and ends up involved in the wildest scenario of her life over the course of two days. The scenario also includes Stefani’s boyfriend, Derek, and her aggressive pimp, X.
Zola is pure, uncut black market Florida. Like Sprinbreakers or Florida Project, it IS the state incarnate – or at least what’s so endlessly scrollable about it). It’s also a riotous funny dark comedy about how uncanny and gross the sex work world is (visa vi Backpage and so on), but also how black women always seem to have to come to the emotional and physical rescue of white women. And ironically as much as I love Paige and Keough’s performances here (the latter sounding like she listened/watched a lot of Nikki Minaj’s Anaconda song and or video, a fully sincere compliment), Braun – Greg from Succession, a true treasure at playing dumb and awkward, and Colman Domino’s X (and his going between two accents just ::chefs kiss::) are stunning in their perfection of identifying an authenticity of these people. That’s the key here: as wild as this gets, we always believe the people… at least as far as Zola’s oh maybe 85-90% reliable narrator takes us.